Printmaking
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Sewing Wild Oats, Mezzotint by [Carol Wax](https://www.davidsongalleries.com/collections/carol-wax/products/sewing-wild-oats)
Light - 1, Mezzotint by [Chin Sheng Lee](https://www.davidsongalleries.com/collections/chin-sheng-lee/products/light-1)
Longitudinal Study, Lithograph with screenprint by [Emmy Lingscheit](https://www.davidsongalleries.com/collections/contemporary/products/longitudinal-study)
Main image, Take me with you (2022), Etching / Engraving [](https://lemmy.ml/pictrs/image/9ad23c1f-2784-4236-9650-9237054922c4.jpeg) Above, Herbolist, Etching / Engraving [](https://lemmy.ml/pictrs/image/ca487bc3-83b3-48e0-bf63-35ca746dda9b.jpeg) Above, Urban Mexico Art Timeworthy (2019), Linocut [](https://lemmy.ml/pictrs/image/a770edc0-46d5-49ca-ae8d-ad728c3cd6ec.jpeg) Above, Cosmic Geometry (2021), Etching / Engraving [](https://lemmy.ml/pictrs/image/28619cbb-c7cf-4ddf-96e6-62725e9fe4cb.jpeg) Above, Smile vendors (2023), Etching / Engraving [](https://lemmy.ml/pictrs/image/16ae0910-df28-4c88-b9dd-8a8230770396.jpeg) Above, The Fishing (2020), Etching / Engraving [](https://lemmy.ml/pictrs/image/ec96199f-8858-4ad8-a47c-7aeff35fc684.jpeg) Above, Heart's road (2022), Linocut [](https://lemmy.ml/pictrs/image/e133a0ce-dc98-4b10-a410-a36b0ee6f466.jpeg) Above, When I grow up (2024), Etching / Engraving All work found [here](https://www.artfinder.com/artist/e-robledo/)
Talking Shit With My Jaguar Face (Iteration I), 38-colour silkscreen by [Eamon Ore-Giron](https://www.artspace.com/eamon-ore-giron/talking-shit-with-my-jaguar-face-iteration-i#)
The fight (2021), Linocut by [RM](https://www.artmajeur.com/r-m0/en/artworks/17511469/the-fight)
BLACK PROPHET 7 (2022), Linocut on Canvas by [Tosin Oyeniyi](https://www.artmajeur.com/tosin-oyeniyi/en/artworks/16764952/black-prophet-7) >Marcus Mosiah Garvey Jr. ONH (17 August 1887 – 10 June 1940) was a Jamaican political activist. [wikipedia](https://en.wikipedia.org/wiki/Marcus_Garvey)
Die Pink Floyd Kuh (2021), Linocut, Conté and Tempera by [Margreet Duijneveld ](https://www.artmajeur.com/mhduijneveld/en/artworks/15180727/die-pink-floyd-kuh)
LinoCat #12, Linocut, by [Nikita Ostapenco ](https://www.artmajeur.com/nikitart/en/artworks/18120607/linocat-12)
Main image, Amber Light Etching and Aquatint by [Phil Greenwood](https://philgreenwood.info/) [](https://lemmy.ml/pictrs/image/9b2a97d4-55f5-4dda-b006-19e9862b4bbf.jpeg) Above, Autumn Teasels Linocut, by [Angie Lewin](https://www.angielewin.co.uk/) [](https://lemmy.ml/pictrs/image/04078dca-f698-47ae-883b-9417edda5dad.jpeg) Above, Winter Starlings II linocut, by [Niki Bowers](https://www.nikibowers.co.uk/all-prints) [](https://lemmy.ml/pictrs/image/5922c491-46d1-41cc-9b77-3ca1faea5ca3.jpeg) Above, Thicket Linoprint by [Claire Curtis](https://clarecurtis.co.uk/product/thicket/) [](https://lemmy.ml/pictrs/image/822d593d-d02a-4ba6-91bd-afd8e9fb8917.jpeg) Above, The Elementals (Ladies) Linocut by [Kat Flint](https://www.katflint.com/stories-tales) [](https://lemmy.ml/pictrs/image/8ab1eb2e-8489-4a28-b163-381d8b6ad821.jpeg) Above, Autumn Heath Linocut, by [Claire Curtis](https://clarecurtis.co.uk/product-category/print-shop/prints/) [](https://lemmy.ml/pictrs/image/6b595904-37c7-47df-81d7-03f0adc39842.jpeg) Above, Pheasant Circle Linocut, by [Rob Barnes](https://www.robbarnesart.co.uk/linocuts.htm) [](https://lemmy.ml/pictrs/image/d94796de-6370-469e-9d48-f37374844384.jpeg) Above, Living Linocut, by [Claire Curtis](https://clarecurtis.co.uk/product/living/) [](https://lemmy.ml/pictrs/image/761e6e6e-c3e0-4f63-9c0e-bc0c3a7b2277.jpeg) Above, Winter Copse Etching and Aquatint, by [Phil Greenwood](https://philgreenwood.info/winter-copse) edit, forgot to do the jiggery-pokery that makes 3 of the images pop out when you click on it
I would like to introduce you to the work of Sergio Suarez. the image comes from his site. For me, he is one of the engravers whose work captivates me the most with its size, its sobriety and its depth. https://sergiosuarez.work https://www.instagram.com/__sergio.suarez
Main image, El Cenzontle >Mazatl lives in San Cristobal de las Casas, Mexico where he part takes in several collectives seeking social/political/enviromental justice; his art is inspired by the work individuals and collectives do to shake off the noose around our necks.... [](https://lemmy.ml/pictrs/image/8dd06d32-2480-4205-a326-933d735266d9.webp) Above, Tierra [](https://lemmy.ml/pictrs/image/aa4ad471-2455-4b96-a981-8b401cd3327e.jpeg) Above, Extincion2 [](https://lemmy.ml/pictrs/image/ea8e92dc-1c08-48f3-bf0b-b9cb4c18d5f0.jpeg) Above, Extincion3 [](https://lemmy.ml/pictrs/image/1038cc47-d553-4116-aafa-4520c5234908.jpeg) Above, Extincion4 [](https://lemmy.ml/pictrs/image/30005b1e-e62b-4532-9d1f-535209894109.jpeg) Above, Extincion5 [](https://lemmy.ml/pictrs/image/a799e330-3e36-4805-8c8d-943a9b7d61f4.jpeg) Above, Extincion6 [](https://lemmy.ml/pictrs/image/e4d3af45-a978-43ee-b8a2-44f3549ede4a.jpeg) Above, EZLN [](https://lemmy.ml/pictrs/image/5f365012-0258-4d76-b59f-fa36b276ad1f.jpeg) Above, Aurora / Grabado en [](https://lemmy.ml/pictrs/image/9bb31c78-6d6d-4237-92b6-bb4c41ad595a.jpeg) Above, Esfinge de la meurte [](https://lemmy.ml/pictrs/image/447b4b4d-5741-40ed-9186-94a3b9f45b1d.jpeg) Above, El Principio [](https://lemmy.ml/pictrs/image/de53ac9a-59c7-440f-ba69-9f8451c75d9b.jpeg) Above, El Final [](https://lemmy.ml/pictrs/image/82bca804-9610-408e-ad70-d3df58242e50.jpeg) Above, La Victoria es Nuestra / Grabado All text and images from his [website](https://www.graficamazatl.com/)
Crossbill, Linocut by [Tian Gan](https://www.artfinder.com/product/crossbill/?preview=1)
Rhinofly, Linocut by [Marisa Liuzzi](https://www.artfinder.com/artist/marisaliuzzi/) >What happens when a rhinoceros meets a dragonfly? A Rhinofly is born, a rhinoceros that despite its weight tries to fly, relying on the delicacy and lightness of its dragonfly wings.
Times Square at Night, Woodcut by [Matt Brown](https://ooloopress.com/print_list/)
Self-Portrait, Linoprint by [Roger Peet](https://justseeds.org/product/self-portrait/)
Shiro Kasamatsu (1898 - 1991) Japanese Woodblock Print Bird Cage, 1957 All images and text from [here](https://www.fujiarts.com/shin-hanga-modern-japanese-prints/shiro-kasamatsu/1104953-bird-cage-1957) [](https://lemmy.ml/pictrs/image/77cd8681-cad0-4bcc-bab0-0c751e95e53a.jpeg) Above, detail >Shiro Kasamatsu - Born in Tokyo, Shiro began studying art at a young age with the painter Kaburagi Kiyokata. He completed his first woodblock designs for Watanabe Shozaburo in 1919 after the publisher saw his paintings on exhibit. Shiro designed shin-hanga prints for Watanabe for many years, becoming well known for his romantic landscapes of famous landmarks and his scenes of traditional Japanese life. From 1952 to 1960, he created more than one hundred woodblock designs for the Kyoto publisher Unsodo. He also experimented with sosaku hanga or creative prints starting in the late 1950s, carving and printing his own designs. Shiro is regarded as one of the top shin-hanga woodblock print artists in Japan. [](https://lemmy.ml/pictrs/image/1e1dcc4d-e5bc-4b45-96a7-625b5fd36cd2.jpeg) Above, Reverse of print
You Are What You Eat #35: Indian Peacock by [Stacy Tabb](https://www.stacytabb.com/) >You Are What You Eat - Each creature in this folk art inspired series contains the actual things it eats. > >This original, hand-pulled block print is printed on white, archival watercolor paper. > >Available in the oil-based ink print, as well as alternate versions that are further enhanced with metallic mica-based watercolor. > >Measures 22x38.
Main image by [Linocut Boy aka Nick Morley](https://displayhca.blogspot.com/2013/01/nick-morley-otherwise-known-as-linocut.html) [](https://lemmy.ml/pictrs/image/04590c62-2094-4286-ad9b-81e3de9812ee.png) Above, Pentaceratops linocut by [Beastie and Bone aka Stacia Baldwin](https://www.beastieandbone.com/shop/p/pentaceratops-miniprint) [](https://lemmy.ml/pictrs/image/65a93ee1-2bcc-4f87-a621-f4adc0f05912.png) Above, Every Small Thing Holds Wonder (Trilobite Linocut) by [Beastie and Bone aka Stacia Baldwin](https://www.beastieandbone.com/shop/p/every-small-thing-holds-wonder-miniprint) [](https://lemmy.ml/pictrs/image/00b18200-64dc-4042-810b-f95f78be5968.png) Above, Dino Skull linocut by [Ieuan Edwards](https://www.flickr.com/photos/ieuan_edwards/13518551464/) [](https://lemmy.ml/pictrs/image/e41ebd6b-a6c5-4355-973d-8f3a365aa6db.png) Above, Deltadromeus Etching, by [angus mcdiarmid](https://www.flickr.com/photos/angusmcdiarmid/2434187327/) [](https://lemmy.ml/pictrs/image/7f4734fe-b061-4fa2-afd6-43dedb109400.png) Above, Parasaurolophus Etching, by [angus mcdiarmid](https://www.flickr.com/photos/angusmcdiarmid/2437671839/) [](https://lemmy.ml/pictrs/image/db7c8939-73bd-4848-ae13-e9a6784526d9.png) Above, I am Gentle But Not Defenseless, Linocut, by [Beastie and Bone aka Stacia Baldwin](https://www.beastieandbone.com/shop) [](https://lemmy.ml/pictrs/image/cfa87bd2-7005-4ca2-ba4b-726998ba4d37.jpeg) Above, TRex dinosaur, linocut print, by [ThePeasDoArt](https://www.etsy.com/listing/1585327806/trex-dinosaur-linocut-print) [](https://lemmy.ml/pictrs/image/ce3d261d-3305-4539-9298-b8e1ffa9e820.jpeg) Above, Ammonite Boy, Linocut, by [Ieuan Edwards](https://www.artfinder.com/product/ammonite-boy/) [](https://lemmy.ml/pictrs/image/f5be8416-b071-4cd1-878e-a0a3c74bb748.jpeg) Above, Psychedelic Raptor Rave, Screenprint, by [Memori Prints](https://www.artfinder.com/product/psychedelic-raptor-rave/) [](https://lemmy.ml/pictrs/image/f41a7099-a887-471b-af6a-c4e75c46256c.jpeg) Above, Interior No.95, Etching/Engraving, by [Jaco Putker](https://www.artfinder.com/product/interior-no95/) [](https://lemmy.ml/pictrs/image/8dcc33ca-979a-4124-a928-7a2507b94553.jpeg) Above, Dippy And Dome (Blue Sky), Screenprint, by [Ed Watts](https://www.artfinder.com/product/dippy-and-dome-blue-sky/) [](https://lemmy.ml/pictrs/image/c685bbb8-3f72-4a2b-be26-877c40cfdcf4.jpeg) Above, Icthyosaur, Linocut by [Ieuan Edwards](https://www.artfinder.com/product/icthyosaur-ba9b/) [](https://lemmy.ml/pictrs/image/445d48d0-bab7-4cd8-9872-776848d6325b.jpeg) Above, Tunnelgatan, Linocut by [Tian Gan](https://www.artfinder.com/product/tunnelgatan/) [](https://lemmy.ml/pictrs/image/af5540a4-db99-491a-a707-2adf5781bffe.jpeg) Above, Interior No.85, Etching/Engraving by [Jaco Putker](https://www.artfinder.com/product/interior-no85/) [](https://lemmy.ml/pictrs/image/2a03d986-af2c-4701-8b73-1ee60ab9e270.jpeg) Above, Scooting Velociraptor II, Screenprint by [Liz Whiteman Smith](https://www.artfinder.com/product/scooting-velociraptor/)
Ukiyo-e Project (Publisher) Series: KISS Monstrous by Woodcarver: Sekioka Senrei III, Printer: Okada Takuya, Illustrator: Ishikawa Masumi Found [here](https://www.roningallery.com/Monstrous) Interestingly, the website shows the reverse of the wood block print..... [](https://lemmy.ml/pictrs/image/101ef1eb-13a3-4269-8d3c-ef59bd4343be.jpeg)
February, Intaglio, by [Shigeki Kuroda](https://www.roningallery.com/February)
Main image, The Fishing Etching/Engraving, by [E Robledo](https://www.artfinder.com/product/the-fishing/) [](https://lemmy.ml/pictrs/image/6664d0a9-9b03-4238-8979-17775ec569fb.jpeg) Above, Exterior No.18: A Big Catch Etching/Engraving, by [Jaco Putker](https://www.artfinder.com/artist/jaco-putker/) [](https://lemmy.ml/pictrs/image/0c574a90-2d35-47f3-8a2b-bc633ce6942a.jpeg) Above, Leighton Lake, BC Linocut, by [Kate Goetz](https://www.artfinder.com/artist/blue-chisel-prints/) [](https://lemmy.ml/pictrs/image/b6ab6f47-964d-4cec-bd69-f55a90f48797.jpeg) Above, With the tide Linocut, by [Mariann Johansen-Ellis](https://www.artfinder.com/artist/mariannjohansen-ellis/) [](https://lemmy.ml/pictrs/image/aa9efcce-f48c-4694-97b4-cbba31c6f211.jpeg) Above, Catfish Etching/Engraving, by [Jane Daniell](https://www.artfinder.com/artist/jane-daniell/) [](https://lemmy.ml/pictrs/image/886e187c-a91a-4f9e-a444-d6abb2a60b29.jpeg) Above, Cormorant Fishing Linocut, by [Ashley Hutchinson](https://www.artfinder.com/product/cormorant-fishing/) [](https://lemmy.ml/pictrs/image/5685e2f4-c0d5-4798-82f2-327f9f2208e5.jpeg) Above, Don't Afraid Screenprint, by [Gökhan Okur](https://www.artfinder.com/product/not-afraid-9922a/) [](https://lemmy.ml/pictrs/image/65e100a8-9336-45db-9c4e-eb7ed57bb7b1.jpeg) Above, Beer Boat Blue Linocut, by [Alexandra Buckle](https://www.artfinder.com/product/beer-boat-blue/) [](https://lemmy.ml/pictrs/image/0d57b2f0-34f1-4904-b9d2-38104c4fee06.jpeg) Above, Beachcomber Linocut, by [Helen Maxfield](https://www.artfinder.com/product/beachcomber-112-original-handmade-linocut-limited-edition-reduc/) [](https://lemmy.ml/pictrs/image/2c8e0b78-c0ad-4f42-8740-ac4125e9878d.jpeg) Above, Idaho Trout Linocut, by [Laurel Macdonald](https://www.artfinder.com/product/idaho-trout-6f78b/) [](https://lemmy.ml/pictrs/image/db3a776e-4f99-4ef6-bb98-1cad8b9bf236.jpeg) Above, Right Place Right Time Etching/Engraving, by [Mariann Johansen-Ellis](https://www.artfinder.com/product/right-place-right-time/) [](https://lemmy.ml/pictrs/image/2a02161c-4c37-47e0-9e32-149df7a26a7a.jpeg) Above, Holy Mackerel! Linocut, by [Amy Cundall](https://www.artfinder.com/product/holy-mackerel-limited-edition-linocut-print/) [](https://lemmy.ml/pictrs/image/b4f8be30-ae73-4527-9f8d-70e60973a1a0.jpeg) Above, The Pig Suite No.4: The Pondering Etching/Engraving, by [Jaco Putker](https://www.artfinder.com/product/exterior-no46-the-pondering/) [](https://lemmy.ml/pictrs/image/98fdbb43-cafa-4dc1-89b7-d1ec204d6ef4.jpeg) Above, Heron in the shallows Linocut, by [Keith Alexander](https://www.artfinder.com/product/heron-in-the-shallows-5279f/) [](https://lemmy.ml/pictrs/image/79cd2857-052c-4826-8a2d-1f7f6f0b6963.jpeg) Above, Tin of Sardines Linocut, by [Amy Cundall](https://www.artfinder.com/product/tin-of-sardines-linocut-unframed-0619c/) [](https://lemmy.ml/pictrs/image/bc78a838-5a20-4593-8ea2-4b9af61f0be6.jpeg) Above, Fishbone 03 Screenprint, by [Gökhan Okur](https://www.artfinder.com/product/fishbone-03/)
Mientras Vivimos (While we live) by [Mazatl](https://www.graficamazatl.com/relief-prints/mientrasvivimos) [](https://lemmy.ml/pictrs/image/d6cc2f5e-682b-4c82-84dd-3bd628758e06.jpeg) Details..... [](https://lemmy.ml/pictrs/image/0cf2d97c-af93-46b0-8582-ee9a8df17de5.jpeg) [](https://lemmy.ml/pictrs/image/f04c195d-5eea-4adb-9704-55dfe202c912.jpeg) Woodcut paste ups..... [](https://lemmy.ml/pictrs/image/9bbec740-624c-4df5-9786-4704fde53124.jpeg) Above, Woodcut paste-up Buenos Aires, Argentina [](https://lemmy.ml/pictrs/image/9afedc27-92b7-4322-b7b9-235ae1d0cbfb.jpeg) Above, Woodcut paste-up London, UK [](https://lemmy.ml/pictrs/image/534668f3-accb-45f7-b1a6-616e64ae7291.jpeg) Above, Woodcut paste-up San Cristobal de las Casas, Chiapas, Mexico [](https://lemmy.ml/pictrs/image/5ea80305-ec70-4de1-9646-4b5bae1db659.jpeg) Above, Woodcut paste-up Mexico DF, Mexico
Página Unida, Scratchboard, 14 x 15 in, by [Sergio Sánchez Santamaría](https://southwestcontemporary.com/a-mexican-tradition-of-collaborative-printmaking-on-both-sides-of-the-border/)
Ritual, Etching/Engraving, by [E Robledo](https://www.artfinder.com/artist/e-robledo/)
Main image, Cardiff castle Linocut, by Andre Matyushin [](https://lemmy.ml/pictrs/image/8dddc0f6-be20-4db6-8ad4-6d33646e99b1.jpeg) Above, George and the Dragon Linocut, by [Kat Flint](https://www.katflint.com/) [](https://lemmy.ml/pictrs/image/6acb75c1-2c15-4a09-9ab2-e545c3529547.png) Above, Year of the Dragon Etching, by [Graham Clarke](https://www.grahamclarke.co.uk/galleryshop/p/year-of-the-dragon) [](https://lemmy.ml/pictrs/image/8610bb00-77b9-4fe6-baff-b7a10f49adb0.jpeg) Above, by [Takuma Léo Shindo 進藤琢磨レオ](https://www.taaaak.com/yokai/) [](https://lemmy.ml/pictrs/image/e137ae91-7b0a-4e6f-b9e2-0ccbf56fc612.jpeg) Above, The Essex Serpent Linoprint, by [MoragEllen](https://www.etsy.com/uk/shop/MoragEllen) [](https://lemmy.ml/pictrs/image/6df32b8a-6742-43c5-9b8b-c90f42c4c14c.jpeg) Above by [Linocut Boy (Nick Morley)](https://www.linocutboy.com/) [](https://lemmy.ml/pictrs/image/07dec85e-95f5-4a52-8a22-e0a51a9897b9.jpeg) Above Dragon and Phoenix Linocut, by [Valdis Baskirovs](https://www.artfinder.com/artist/valdis-baskirovs/) [](https://lemmy.ml/pictrs/image/bb05c157-e939-4760-a1fe-2ba21b051cb2.jpeg) Above Creeps & Cryptids No.30: Dragon Etching/Engraving, by [Jaco Putker](https://www.artfinder.com/artist/jaco-putker/) [](https://lemmy.ml/pictrs/image/44adde79-35e6-4bec-b9af-0b655e730b3a.jpeg) Above Sirrush Etching/Engraving, by [Marina Korenfeld](https://www.artfinder.com/artist/marina-korenfeld/) [](https://lemmy.ml/pictrs/image/b2d882c2-8226-495d-a6ec-79d4d3fbc6f1.jpeg) Above live Screenprint, by [Mine Okur](https://www.artfinder.com/artist/mineokur/) **....and now for a couple of real dragons....** [](https://lemmy.ml/pictrs/image/64ef3c29-bcdf-47cd-a2eb-48501c1bfdf7.jpeg) Above, Weedy Sea Dragons II Hand Coloured Etching, by [Debby Mason](https://www.debbymason.com/) [](https://lemmy.ml/pictrs/image/f247b76c-87dd-4b78-88db-f07c1f5dad25.jpeg) Above LEAFY SEA DRAGON Linocut, by [Laurel Macdonald](https://www.artfinder.com/artist/laurel-macdonald/)
Sea Side Games, Wood Engraving by [Neil Bousfield](https://printroom.studio/artist/neil-bousfield/)
Gastric Brooding Frog, Extinct in 1983, Dedecus - Shame. Etching 4.5" x 3.5", by [Abigail Rorer](https://the-new-leaf-gallery.myshopify.com/collections/abigail-rorer/Abigail-Rorer)
The Onion Farmers, Etching by Maximilian Gosling >Maximilian Gosling is an Sydney based Printmaker and Illustrator. > >Max's works are set in a personally designed fantasy. The images observe an anthropomorphic society of badgers set in and around a metropolis. The works follow a main fable narrative and its spin-off fictions. [](https://lemmy.ml/pictrs/image/bf094e97-b99c-4c1b-be77-a8ee9c48046a.png) Images and text from his [website](https://www.maximiliangosling.com/)
The actual Kickstarter campaign: https://www.kickstarter.com/projects/martinschneider/the-postcard-printing-press More pictures:   
Desert Interlude (11.1 x 11.1 cm) by [Gustave Bauman](https://sam.nmartmuseum.org/objects/details/1797) (American, born Germany, 1881 - 1971)
Main image, [West End From Primrose Hill](https://www.paulcatherall.com/item/west-end-primrose-hill/) Commissioned by Transport for London for 2007 poster campaign – A New View of London  Above, [Telecom Grey](https://www.paulcatherall.com/item/telecom-grey/) >'.... [He was] inspired to create a series of London images to mark how the city was changing as the Millennium approached. “The Millennium Dome was being built, Bankside was converted to Tate Modern… I wanted to capture that moment,” he recalls....  Above, [Gherkin II](https://www.paulcatherall.com/item/gherkin-ii/) Commissioned by Orion Books for Michael Moorcock’s London Bone and Other Stories  Above, [Bridge Lime](https://www.paulcatherall.com/item/bridge-lime/) >“Paul’s work resonates with anyone with a love of architecture, and his own passions translate with a simplicity of form that belies the immense work that each piece requires. In many ways Paul is the master of ‘less is more’.”  Above, [Trellick Blue IV](https://www.paulcatherall.com/item/trellick-blueiv/) >Drawing on the best traditions of classic midcentury poster design Paul utilises his expert eye for composition and colour to inject his prints with fresh energy, dragging old icons kicking and screaming into the 21st century and imbuing new buildings with a nostalgic edge.  Above, [Lloyds III](https://www.paulcatherall.com/item/lloyds-iii/)  Above, [Battersea Landscape](https://www.paulcatherall.com/item/battersea-landscape/) >Paul’s work was spotted by Transport for London’s poster art commissioner Michael Walton, who remembers being “electrified” by a flyer for one of those exhibitions.  Above, [Finchingfield](https://www.paulcatherall.com/item/portcullis/) Commissioned by Transport for London for 2011 poster >'......Transport for London has commissioned and displayed many works by Paul and his first for us, Tate Modern, is a reminder of his huge talent, which, enhanced by time, has developed into what I consider to be the foremost linocut artist at work today....'  Above, [Tate Modern](https://www.paulcatherall.com/item/tate-modern/) Commissioned by Transport for London to commemorate the recently opened Tate Modern.  Above, [City of London Orange](https://www.paulcatherall.com/item/city-of-london-orange/) Commissioned by Transport for London for 2017 poster campaign All images and text from his [website](https://www.paulcatherall.com/about/)
"The year 2024 was an opportunity to see boreal aurora at low latitudes, the consequences of multiple coronal mass ejections. I would lie if I said that this is what inspired this engraving because I started it in 2023 but these events considerably oriented its composition. inspired by astrophysics and science fiction, this engraving has the central theme of the sun and the stars in general. There we find, through a series of scientific and symbolic vignettes, representations of stellar nucleosynthesis, atomic diagrams, elements relating to plasma, accretion disks, magnetic fields and, the finality of these processes, radiation. One vignette features the proton-proton chain, a series of nuclear fusion reactions that power the hearts of stars, transforming hydrogen into helium and releasing colossal energy in the form of light and heat. This fusion is the primary source of energy for main-sequence stars, like our own Sun. At the center of the work, the symbol of the element hydrogen (H), the most abundant atom in the universe, reminds us that this primordial element is the building block of stars and galaxies. The diagram of the hydrogen atom, with its single electron orbiting the nucleus, symbolizes the elegant simplicity underlying the complex phenomena of astrophysics. The engraving also includes illustrations of atomic structure and energy levels, evoking the electronic transitions that produce the light spectra observed by astronomers. These spectra are essential for determining the chemical composition, temperature, density and motion of celestial objects. “Radiant” is a window into a different dimension of cosmic physics, evoking both the beauty and complexity of astrophysical phenomena. The use of clean lines and technical symbols creates a dialogue between art and science, inviting one to delve into the depths of the cosmic unknown. This print is a celebration of human curiosity and our endless quest to understand the universe around us."
About 24 hours of engraving to about 1 hour. from the beginning to the final cleaning. the plate is mounted on a wooden board. I'm waiting for my order of ink and paper for early August. This will be printed around August
The lino plate for "Quantum" 70x50 cm plate - Engraved by hand in around forty hours
quantum physics / sci fi inspired linocut
Main image, Xenomorph [](https://lemmy.ml/pictrs/image/f594637b-1387-4cfe-8694-ffaebf5fcb87.jpeg) Indiana Jones [](https://lemmy.ml/pictrs/image/652cb36d-17d1-4315-b28b-8b2a21be7c20.jpeg) Golden Idol [](https://lemmy.ml/pictrs/image/652d7d7e-6249-4108-8a8a-c21d644db90f.jpeg) Ark of the Covenant [](https://lemmy.ml/pictrs/image/3442d91b-ccb8-41d3-a06e-448028d8ca0f.jpeg) Back to the Future [](https://lemmy.ml/pictrs/image/08547b36-173d-46e2-871a-08adedd2f9b9.jpeg) Beetlejuice [](https://lemmy.ml/pictrs/image/b49fcc1b-0029-4a70-ada3-acbc95dbe681.jpeg) Zoltar [](https://lemmy.ml/pictrs/image/152384f3-4b2a-4af4-a757-a977b0043f88.jpeg) Ghostbusters- Vinz Clortho, The Temple of Gozer and Zuul [](https://lemmy.ml/pictrs/image/46f4a7b0-9706-493d-b890-aef2b774b578.jpeg) Tron Arcade Game [](https://lemmy.ml/pictrs/image/fa66dd48-dc98-46d3-95b7-3e75f7217135.jpeg) Vader Chamber [](https://lemmy.ml/pictrs/image/3efb3273-42a0-447e-b2fb-537c5ae5fafb.jpeg) Audrey 2 [](https://lemmy.ml/pictrs/image/40b1b4cc-cee5-4fc8-9b41-154e258f4533.jpeg) Bladerunner [](https://lemmy.ml/pictrs/image/b8c34291-dab6-42d8-8684-aca4d6274a07.jpeg) Predator All prints by [Brian Reedy](https://brianreedy.bigcartel.com/)
Main Image, 'Caller' The sixth print in ongoing series, Other Islands. “I draw stylistic and conceptual influence from nature, contemporary fiction, Medieval and ancient art, pre-Colonial American art, myths, ukiyo-e, and the decorative arts, particularly those of early twentieth century America,” [source](https://hifructose.com/2019/07/20/the-relief-prints-of-kathleen-neeley/) [](https://lemmy.ml/pictrs/image/392aed6b-8df1-498f-954c-1f289b647e7c.jpeg) Above, Kathleen Neeley and her linocut print 'Marauder' >I’m most inspired by nature and books. Much of the content of my prints are personal stories layered under themes of environmentalism.... [](https://lemmy.ml/pictrs/image/4a9f5094-44d3-4351-b07b-f069945f4038.jpeg) Above, 'Willow' (key proof). This is the key image for a multi-block color linocut, in progress. Part of the The Understory. >I do commercial work sometimes, mostly album and poster art. Lately I’ve been making more book illustrations, which I really love and hope to keep doing. [](https://lemmy.ml/pictrs/image/47acca91-450e-45f9-a33a-ce658e3536e5.jpeg) Above, Linocut and Digital. Commission for Sailors Grave Brewing >I’m not sure I have a favorite but I’m quite proud of my most recent color linocut, Moss Lord. It was one of those rare freak things where you see the scene in your head and fall in love with it and somehow it turns out the way you pictured. [](https://lemmy.ml/pictrs/image/e46f57a7-284a-4625-a97b-93eb20fd3722.jpeg) Above 'Moss Lord' A Five-color multi-block linocut. Part of The Understory. >Learning how to make multi-block color prints was a big deal for me. Up to that point, the only color relief print technique I knew was reduction, which is arguably more efficient and easier than multi-block, but it has the serious limitation of not being able to reprint. Once you cut the key, that’s it. No possibility of alternate colorways or future editions. [](https://lemmy.ml/pictrs/image/5168d15b-ac50-4c3b-ae96-a6733b0d0df4.jpeg) Above, 'Downstream' Five-color multi-block linocut. Part of The Understory. >I was first introduced to linocuts by my high school art teacher... > >...My (bad) college art was figurative and mostly themed around nature and myths—not too different from what I make now. [](https://lemmy.ml/pictrs/image/36d6775e-4457-433f-94dc-3a33a29d5afb.jpeg) Above, 'Pourer' Part of Other Islands. >My studio is a dining room that is never used for actual dining. There’s a secondhand table for carving, a workbench for printing, and a tall metal flat file where I store prints and paper and art I keep meaning to get framed. [](https://lemmy.ml/pictrs/image/2137120c-72bf-4766-b43b-6bc1e20bb98f.jpeg) Above, 'Picker' Part of Other Islands. >I like seeing what’s behind the figures, seeing more of the world they’re in, and I guess this naturally translates into a sort of 3D look. Plus I just like pushing the two-dimensionality associated with this medium. I like layers interacting with each other. [](https://lemmy.ml/pictrs/image/9ef2c49b-d3dd-42dc-9ca6-168e92c03cb4.jpeg) Above, 'Dredger' The eighth print in ongoing series, Other Islands. >I just really like carving on linoleum. I find I can get finer details and cleaner lines than I was with wood. Plus you don’t have to worry about grain. [](https://lemmy.ml/pictrs/image/6213fb71-cf2a-4084-a1a4-41370fe209ad.jpeg) Above, 'Herder' The eleventh print in ongoing series, Other Islands. >[She uses] A baren for large areas of black, then a metal spoon... > >....Pfeil carving tools, mostly Speedball and Cranfield relief ink, and Awagami paper (specifically kitakata and okawara). [](https://lemmy.ml/pictrs/image/38bd709b-4dfd-4659-8090-90211f0d3cd3.jpeg) Above, 'Bearer' Part of Other Islands. >Printing is the most exciting part of the process, but it’s also the most physically demanding—and, when a print doesn’t turn out how you planned, the most disappointing. [](https://lemmy.ml/pictrs/image/70626106-7338-42c2-9a10-63746580ce70.jpeg) Above, 'Bather' Part of Other Islands. >I love to draw, though I think carving is probably my favorite aspect of making prints. It’s extremely satisfying to physically work the image out of the block. [](https://lemmy.ml/pictrs/image/3e86d044-7d1e-4c91-872c-8ede03c24f56.jpeg) [](https://lemmy.ml/pictrs/image/aa1357cf-df62-4abe-aca7-71e1b8bf24e7.jpeg) [](https://lemmy.ml/pictrs/image/dce84387-9c1f-47ed-aeba-7d5832e70608.jpeg) Above 3 images, 'Botar Sirens' Commission for Bandits of the Acoustic Revolution. >I think translating complicated visual narratives into tidy black and white lines is always going to be appealing—for more reasons than just cost-effective translation to print mediums, like comics and books. It sometimes feels to me like a wish for our own lives and problems to be as cleanly solvable. Or, if not actually solvable, then at least aesthetically pleasing. [](https://lemmy.ml/pictrs/image/63ee0a1f-971e-4176-8af7-84531e2b505b.jpeg) Above, 'Cornered but not caught' All quotes from [Draw Cut Ink Press](https://www.drawcutinkpress.com/artist-interview-kathleen-neeley/), unless otherwise stated Her [website](https://www.kathleenneeley.com/)
Main photo, etching [Neilltuad](https://oriel-plas-glyn-y-weddw.myshopify.com/collections/berwyn-jones?page=1) I visited an exhibition recently at Oriel Plas Glyn Y Weddw in Llanbedrog, North Wales, showing some of his work. It was unfortunately a retrospective exhibition as he died not that long after the opening >....[The exhibition] celebrates the career of Berwyn Jones and includes a range of works produced during a period of nearly 40 years through many mediums. > >Born in Llanbedrog in 1942.... [he] established himself as a self-employed artist in the late 1960s and early 1970s, making a series of small woodcuts mainly of Llŷn landscapes. [Llŷn Peninsula, North West Wales] > >In the 1970s he turned his hand to pottery and built an oil-fired kiln. Janet, his future wife, joined him as an Apprentice in 1974 and this began a productive period of creating pottery.... > >....In 1984 he bought an engraving press which led to the creation of a series of engravings, mainly of local landscapes and seascapes. Then, in 1994 he turned his sights once again to painting oil on canvas creating works such as 'Yn y Berllan' and 'Hen Sugn, Hen Dai'.... [Oriel Plas Glyn y Weddw](https://oriel-plas-glyn-y-weddw.myshopify.com/collections/berwyn-jones?page=1) I have to admit I didn't like the pottery, it was a bit too Bernard Leach country pottery- serviceable but not aesthetically pleasing, and also his abstracts weren't working for me.... The woodcuts were a bit too 1960's colour theme and somewhat 'clunky' in the carving I did however love the etchings! I was particularly drawn to the etchings featuring water or sand ripples. Also of interest for me were examples of his work sketches and planning for the etchings, including the different plates with colour layers, plus ink samples Below is a small collection of the etchings, and some of the better wood carvings....  Twlldan Grisia....(A massive favourite of mine, and featuring in the work planning sketches that accompanied the exhibition)  Towyn  Llwybr Llymriaid.....(if I had the money I would have bought this, I really loved the depth of colour)  Garreg Fawr  Bwlch Coch.....(Again another favourite, and featured in the work plan sketches)  Haul Gaerau  Bwlch  Tany Fron Now some of the wood cuts....  Deuglawdd....(I do actually like this, and the colours aren't too 1960's)  Pengarreg....(Holy 1960's Batman!! Seriously though, there is a charm about it, and I think it turned out well)  Ochor ‘Mynydd'.....(this one has an almost 3d type effect with the colours, especially the sky)  Enlli....(A bit too 1960's but I know the location so it gets a pass) All work by Berwyn Jones, and quotes via [Oriel Plas Glyn y Weddw](https://oriel-plas-glyn-y-weddw.myshopify.com/collections/berwyn-jones/products/enlli-1) Any opinions are mine and please checkout the website for the rest of the etchings and wood cuts!