"The ambassador of the human civilisation will speak now." On the call of these words a human walked up to the speakers podium in the Hall of Representatives. A thousand eyes - or whatever biological equivalent the many different species had - were on him from other ambassadors on the seats that arched upwards in many rows. Representative Harknethos was among them. The civilisation he spoke for was a late member and he was only the third one after the ambassador that had handled the initiation into the Commonwealth. So he knew exactly how this would play out. And he also knew that hundreds of billions of beings were watching the live transmission from thousands of planets across the Commonwealth for it was the very first official appearance of this new species. The aged human looked tired and disheveled, seemingly badly prepared for the tasked of speaking on behalf of his people. The only thing not making him appear disrespectful was that he actually had an ambassadors cloth draped over his shoulders, the long and slim piece barely adorned with just a few additional lines of colorful yarn. "Honoured ambassadors, representatives of all the species in the Galactic Commonwealth", he spoke the greeting in a clear and ringing voice. Surprisingly he used the common language, had the humans been this fast to learn it? It had caused a low murmur amongst the other ambassadors, but it quickly died down once the human continued. "My name is Valentina Fedorovna and I am the chosen representative of all beings living in the human civilisation. I am sorry that the proper delegation was unable to appear on the short notice we were given. We did give up expecting an invitation many cycles ago. As the civil servant in closest proximity I am now speaking in their stead, though I certainly do not bring the soft diplomatic touch of my colleagues." The obvious rudeness of the human caused a number of the present beings to scoff, blow or cough. This was not the way these things should go, he should have been begging for membership. It also seemed the dossier on the humans had been quite wrong - it stated that their species were only known since very recently. Meanwhile, the human just went on, ignoring any of the signs of protest. "Thirty cycles ago we made first contact to the Niewemar people. They had once been, as you surely are aware, a member species of your Commonwealth until they were exiled from their own planet and barred from the travel nodes. A flotilla of their refugee ships had made its way across the stars with sublight engines in search of a new home. The only one to arrive had carried fifteen million beings. I am certain you know how lifeforms handle cosmic radiation over longer than one generation. I am certain I do not have to tell you of the state they were in. We were unable to save half of them, but the rest we gave a home on our planet. They told us about the way conflicts were handled in the Galactic Commonwealth. They told us about the so-called deathless wars. And they told us what happened to the ones subjugated by the victors. We tried to contact you then, honoured ambassadors. In lieu of hearing your side, we took what we learned for the truth. Know, that I am speaking for the Niewemar now too." Over the last part there were quite loud cries of protest. One ambassador especially was calling for the human speaker to be cut off - Harknethos identified him as a member of the people that had instigated the conflict against the Niewemar. Of course there had to be rules to the proceedings and the human still had time, so order was called and the noise died down again. But - thirty cycles? So long had the humans been known already and they did not get to speak until now. "The last refugee ship had carried something exceptionally precious with it besides the many lives - the knowledge to create a hyperspace connection node. Two cycles later we had been successful in creating a stable one. I know you are aware of its limitations, but we were not. We had tried to contact you many times then, honoured ambassadors. And without guidance, we had to revert to experimentation. In the process we lost many ships and a number of lives only to learn that it is impossible to establish a connection to any other node from just one side. This cut off from travel seemed deliberate and together with the communication silence it gave us the impression that the honoured ambassadors were trying to isolate us. Seeing that our node could only serve as an end point, we transmitted an open invitation for refugees of the Niewemar and anyone else displaced from their home." More calls for order - these accusations were very serious and a number of ambassadors seemed to not want to wait for their turn to speak. It seemed impossible though, this pre-FTL species just build a feasible connection into the hyperspace network of the Commonwealth from merely theoretical second-hand knowledge? One thing was for sure, that dossier about them was wortheless. Harknethos and probably a large number of the other ambassadors had been left in the dark about the recent history of their species. It was also obvious that the humans were crazy - to broadly call for anyone to just come to their underdeveloped world spelled suicide. "We underestimated the number of species that were robbed of their planet or enslaved on it, and we saw a large influx of arrivals. By then we had stopped asking you for anything, honoured ambassadors, though we still needed help in ensuring order and safety. So we were actually lucky that the first larger group to show up was a fleet of Ja'kartii pirates. We welcomed them and offered them a home. They merely wanted us to spare their children from spending a childhood and a life within the confines of a spaceship, and in turn patrolled the hyperspace node promising to protect anyone coming with peaceful intentions. I am certain you learned the force of their railguns, honoured ambassadors, when you sent one spy-drone after the other. Just know, that the Ja'kartii too found a home with us and I am also speaking for them." The noise had gotten ridiculous. Even the call for order had not been enough to silence some, but the human just spoke on, raising his ringing voice over the commotion. "Working with the people that followed our invitation, we colonized another planet and two moons in our own solar system, before we made landfall in two neighboring ones. These hyperspace nodes we were able to connect to the one near our home planet that still had new ships arriving every day. We saw more pirates too, most of them not as benevolent as the Ja'kartii, and some of them only pretending to be pirates. We observed those and the constant spy-drones to be the only sort of communication from the Commonwealth until the invitation to this very event, which I can only assume had to be in error. I want you to understand, honoured ambassadors, that I am speaking for sixty-five billion beings across Earth, Mars, Titan, Europa, Boru and Laetillia. I am speaking for fifteen species that are now our equals in the human civilisation. I am not here to ask for membership to your Commonwealth. I am not here to ask for anything at all. I am merely here to state our invitation to every sentient being in the galaxy." Across the chaos that unfolded through the Hall of Representatives boomed the humans voice: "Give me your tired, your poor; your huddled masses yearning to breathe free; the wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me; I lift my lamp beside the golden door!" ===================================== By /u/CherubielOne on /r/HFY
In a little district west of Washington Square the streets have run crazy and broken themselves into small strips called "places." These "places" make strange angles and curves. One Street crosses itself a time or two. An artist once discovered a valuable possibility in this street. Suppose a collector with a bill for paints, paper and canvas should, in traversing this route, suddenly meet himself coming back, without a cent having been paid on account! So, to quaint old Greenwich Village the art people soon came prowling, hunting for north windows and eighteenth-century gables and Dutch attics and low rents. Then they imported some pewter mugs and a chafing dish or two from Sixth Avenue, and became a "colony." At the top of a squatty, three-story brick Sue and Johnsy had their studio. "Johnsy" was familiar for Joanna. One was from Maine; the other from California. They had met at the table d'hte of an Eighth Street "Delmonico's," and found their tastes in art, chicory salad and bishop sleeves so congenial that the joint studio resulted. That was in May. In November a cold, unseen stranger, whom the doctors called Pneumonia, stalked about the colony, touching one here and there with his icy fingers. Over on the east side this ravager strode boldly, smiting his victims by scores, but his feet trod slowly through the maze of the narrow and moss-grown "places." Mr. Pneumonia was not what you would call a chivalric old gentleman. A mite of a little woman with blood thinned by California zephyrs was hardly fair game for the red-fisted, short-breathed old duffer. But Johnsy he smote; and she lay, scarcely moving, on her painted iron bedstead, looking through the small Dutch window-panes at the blank side of the next brick house. One morning the busy doctor invited Sue into the hallway with a shaggy, gray eyebrow. "She has one chance in - let us say, ten," he said, as he shook down the mercury in his clinical thermometer. " And that chance is for her to want to live. This way people have of lining-u on the side of the undertaker makes the entire pharmacopoeia look silly. Your little lady has made up her mind that she's not going to get well. Has she anything on her mind?" "She - she wanted to paint the Bay of Naples some day." said Sue. "Paint? - bosh! Has she anything on her mind worth thinking twice - a man for instance?" "A man?" said Sue, with a jew's-harp twang in her voice. "Is a man worth - but, no, doctor; there is nothing of the kind." "Well, it is the weakness, then," said the doctor. "I will do all that science, so far as it may filter through my efforts, can accomplish. But whenever my patient begins to count the carriages in her funeral procession I subtract 50 per cent from the curative power of medicines. If you will get her to ask one question about the new winter styles in cloak sleeves I will promise you a one-in-five chance for her, instead of one in ten." After the doctor had gone Sue went into the workroom and cried a Japanese napkin to a pulp. Then she swaggered into Johnsy's room with her drawing board, whistling ragtime. Johnsy lay, scarcely making a ripple under the bedclothes, with her face toward the window. Sue stopped whistling, thinking she was asleep. She arranged her board and began a pen-and-ink drawing to illustrate a magazine story. Young artists must pave their way to Art by drawing pictures for magazine stories that young authors write to pave their way to Literature. As Sue was sketching a pair of elegant horseshow riding trousers and a monocle of the figure of the hero, an Idaho cowboy, she heard a low sound, several times repeated. She went quickly to the bedside. Johnsy's eyes were open wide. She was looking out the window and counting - counting backward. "Twelve," she said, and little later "eleven"; and then "ten," and "nine"; and then "eight" and "seven", almost together. Sue look solicitously out of the window. What was there to count? There was only a bare, dreary yard to be seen, and the blank side of the brick house twenty feet away. An old, old ivy vine, gnarled and decayed at the roots, climbed half way up the brick wall. The cold breath of autumn had stricken its leaves from the vine until its skeleton branches clung, almost bare, to the crumbling bricks. "What is it, dear?" asked Sue. "Six," said Johnsy, in almost a whisper. "They're falling faster now. Three days ago there were almost a hundred. It made my head ache to count them. But now it's easy. There goes another one. There are only five left now." "Five what, dear? Tell your Sudie." "Leaves. On the ivy vine. When the last one falls I must go, too. I've known that for three days. Didn't the doctor tell you?" "Oh, I never heard of such nonsense," complained Sue, with magnificent scorn. "What have old ivy leaves to do with your getting well? And you used to love that vine so, you naughty girl. Don't be a goosey. Why, the doctor told me this morning that your chances for getting well real soon were - let's see exactly what he said - he said the chances were ten to one! Why, that's almost as good a chance as we have in New York when we ride on the street cars or walk past a new building. Try to take some broth now, and let Sudie go back to her drawing, so she can sell the editor man with it, and buy port wine for her sick child, and pork chops for her greedy self." "You needn't get any more wine," said Johnsy, keeping her eyes fixed out the window. "There goes another. No, I don't want any broth. That leaves just four. I want to see the last one fall before it gets dark. Then I'll go, too." "Johnsy, dear," said Sue, bending over her, "will you promise me to keep your eyes closed, and not look out the window until I am done working? I must hand those drawings in by to-morrow. I need the light, or I would draw the shade down." "Couldn't you draw in the other room?" asked Johnsy, coldly. "I'd rather be here by you," said Sue. "Beside, I don't want you to keep looking at those silly ivy leaves." "Tell me as soon as you have finished," said Johnsy, closing her eyes, and lying white and still as a fallen statue, "because I want to see the last one fall. I'm tired of waiting. I'm tired of thinking. I want to turn loose my hold on everything, and go sailing down, down, just like one of those poor, tired leaves." "Try to sleep," said Sue. "I must call Behrman up to be my model for the old hermit miner. I'll not be gone a minute. Don't try to move 'til I come back." Old Behrman was a painter who lived on the ground floor beneath them. He was past sixty and had a Michael Angelo's Moses beard curling down from the head of a satyr along with the body of an imp. Behrman was a failure in art. Forty years he had wielded the brush without getting near enough to touch the hem of his Mistress's robe. He had been always about to paint a masterpiece, but had never yet begun it. For several years he had painted nothing except now and then a daub in the line of commerce or advertising. He earned a little by serving as a model to those young artists in the colony who could not pay the price of a professional. He drank gin to excess, and still talked of his coming masterpiece. For the rest he was a fierce little old man, who scoffed terribly at softness in any one, and who regarded himself as especial mastiff-in-waiting to protect the two young artists in the studio above. Sue found Behrman smelling strongly of juniper berries in his dimly lighted den below. In one corner was a blank canvas on an easel that had been waiting there for twenty-five years to receive the first line of the masterpiece. She told him of Johnsy's fancy, and how she feared she would, indeed, light and fragile as a leaf herself, float away, when her slight hold upon the world grew weaker. Old Behrman, with his red eyes plainly streaming, shouted his contempt and derision for such idiotic imaginings. "Vass!" he cried. "Is dere people in de world mit der foolishness to die because leafs dey drop off from a confounded vine? I haf not heard of such a thing. No, I will not bose as a model for your fool hermit-dunderhead. Vy do you allow dot silly pusiness to come in der brain of her? Ach, dot poor leetle Miss Yohnsy." "She is very ill and weak," said Sue, "and the fever has left her mind morbid and full of strange fancies. Very well, Mr. Behrman, if you do not care to pose for me, you needn't. But I think you are a horrid old - old flibbertigibbet." "You are just like a woman!" yelled Behrman. "Who said I will not bose? Go on. I come mit you. For half an hour I haf peen trying to say dot I am ready to bose. Gott! dis is not any blace in which one so goot as Miss Yohnsy shall lie sick. Some day I vill baint a masterpiece, and ve shall all go away. Gott! yes." Johnsy was sleeping when they went upstairs. Sue pulled the shade down to the window-sill, and motioned Behrman into the other room. In there they peered out the window fearfully at the ivy vine. Then they looked at each other for a moment without speaking. A persistent, cold rain was falling, mingled with snow. Behrman, in his old blue shirt, took his seat as the hermit miner on an upturned kettle for a rock. When Sue awoke from an hour's sleep the next morning she found Johnsy with dull, wide-open eyes staring at the drawn green shade. "Pull it up; I want to see," she ordered, in a whisper. Wearily Sue obeyed. But, lo! after the beating rain and fierce gusts of wind that had endured through the livelong night, there yet stood out against the brick wall one ivy leaf. It was the last one on the vine. Still dark green near its stem, with its serrated edges tinted with the yellow of dissolution and decay, it hung bravely from the branch some twenty feet above the ground. "It is the last one," said Johnsy. "I thought it would surely fall during the night. I heard the wind. It will fall to-day, and I shall die at the same time." "Dear, dear!" said Sue, leaning her worn face down to the pillow, "think of me, if you won't think of yourself. What would I do?" But Johnsy did not answer. The lonesomest thing in all the world is a soul when it is making ready to go on its mysterious, far journey. The fancy seemed to possess her more strongly as one by one the ties that bound her to friendship and to earth were loosed. The day wore away, and even through the twilight they could see the lone ivy leaf clinging to its stem against the wall. And then, with the coming of the night the north wind was again loosed, while the rain still beat against the windows and pattered down from the low Dutch eaves. When it was light enough Johnsy, the merciless, commanded that the shade be raised. The ivy leaf was still there. Johnsy lay for a long time looking at it. And then she called to Sue, who was stirring her chicken broth over the gas stove. "I've been a bad girl, Sudie," said Johnsy. "Something has made that last leaf stay there to show me how wicked I was. It is a sin to want to die. You may bring a me a little broth now, and some milk with a little port in it, and - no; bring me a hand-mirror first, and then pack some pillows about me, and I will sit up and watch you cook." And hour later she said: "Sudie, some day I hope to paint the Bay of Naples." The doctor came in the afternoon, and Sue had an excuse to go into the hallway as he left. "Even chances," said the doctor, taking Sue's thin, shaking hand in his. "With good nursing you'll win." And now I must see another case I have downstairs. Behrman, his name is - some kind of an artist, I believe. Pneumonia, too. He is an old, weak man, and the attack is acute. There is no hope for him; but he goes to the hospital to-day to be made more comfortable." The next day the doctor said to Sue: "She's out of danger. You won. Nutrition and care now - that's all." And that afternoon Sue came to the bed where Johnsy lay, contentedly knitting a very blue and very useless woollen shoulder scarf, and put one arm around her, pillows and all. "I have something to tell you, white mouse," she said. "Mr. Behrman died of pneumonia to-day in the hospital. He was ill only two days. The janitor found him the morning of the first day in his room downstairs helpless with pain. His shoes and clothing were wet through and icy cold. They couldn't imagine where he had been on such a dreadful night. And then they found a lantern, still lighted, and a ladder that had been dragged from its place, and some scattered brushes, and a palette with green and yellow colors mixed on it, and - look out the window, dear, at the last ivy leaf on the wall. Didn't you wonder why it never fluttered or moved when the wind blew? Ah, darling, it's Behrman's masterpiece - he painted it there the night that the last leaf fell."
“My aunt will be down presently, Mr. Nuttel,” said a very self-possessed young lady of fifteen; “in the mean-time you must try and put up with me.” Framton Nuttel endeavored to say the correct something that should duly flatter the niece of the moment without unduly discounting the aunt that was to come. Privately he doubted more than ever whether these formal visits on a succession of total strangers would do much toward helping the nerve cure which he was supposed to be undergoing. “I know how it will be,” his sister had said when he was preparing to migrate to this rural retreat; “you will bury yourself down there and not speak to a living soul, and your nerves will be worse than ever from moping. I shall just give you letters of introduction to all the people I know there. Some of them, as far as I can remember, were quite nice.” Framton wondered whether Mrs. Sappleton, the lady to whom he was presenting one of the letters of introduction, came into the nice division. “Do you know many of the people round here?” asked the niece, when she judged that they had had sufficient silent communion. “Hardly a soul,” said Framton. “My sister was staying here, at the rectory, you know, some four years ago, and she gave me letters of introduction to some of the people here.” He made the last statement in a tone of distinct regret. “Then you know practically nothing about my aunt?” pursued the self-possessed young lady. “Only her name and address,” admitted the caller. He was wondering whether Mrs. Sappleton was in the married or widowed state. An undefinable something about the room seemed to suggest masculine habitation. “Her great tragedy happened just three years ago,” said the child; “that would be since your sister’s time.” “Her tragedy?” asked Framton; somehow in this restful country spot tragedies seemed out of place. “You may wonder why we keep that window wide open on an October afternoon,” said the niece, indicating a large French window that opened onto a lawn. “It is quite warm for the time of the year,” said Framton; “but has that window got anything to do with the tragedy?” “Out through that window, three years ago to a day, her husband and her two young brothers went off for their day’s shooting. They never came back. In crossing the moor to their favorite snipe-shooting ground they were all three engulfed by a treacherous piece of bog. It had been that dreadful wet summer, you know, and places that were safe in other years gave way suddenly without warning. Their bodies were never recovered. That was the dreadful part of it.” Here the child’s voice lost its self-possessed note and became falteringly human. “Poor aunt always thinks that they will come back some day, they and the little brown spaniel that was lost with them, and walk in that window just as they used to do. That is why the window is kept open every evening till it is quite dusk. Poor dear aunt, she has often told me how they went out, her husband with his white waterproof coat over his arm, and Ronnie, her youngest brother, singing ‘Bertie, why do you bound?’ as he always did to tease her, because she said it got on her nerves. Do you know, sometimes on still, quiet evenings like this, I almost get a creepy feeling that they will all walk in through that window—” She broke off with a little shudder. It was a relief to Framton when the aunt bustled into the room with a whirl of apologies for being late in making her appearance. “I hope Vera has been amusing you?” she said. “She has been very interesting,” said Framton. “I hope you don’t mind the open window,” said Mrs. Sappleton briskly; “my husband and brothers will be home directly from shooting, and they always come in this way. They’ve been out for snipe in the marshes today, so they’ll make a fine mess over my poor carpets. So like you menfolk, isn’t it?” She rattled on cheerfully about the shooting and the scarcity of birds, and the prospects for duck in the winter. To Framton it was all purely horrible. He made a desperate but only partially successful effort to turn the talk on to a less ghastly topic; he was conscious that his hostess was giving him only a fragment of her attention, and her eyes were constantly straying past him to the open window and the lawn beyond. It was certainly an unfortunate coincidence that he should have paid his visit on this tragic anniversary. “The doctors agree in ordering me complete rest, an absence of mental excitement, and avoidance of anything in the nature of violent physical exercise,” announced Framton, who labored under the tolerably widespread delusion that total strangers and chance acquaintances are hungry for the least detail of one’s ailments and infirmities, their cause and cure. “On the matter of diet they are not so much in agreement,” he continued. “No?” said Mrs. Sappleton, in a voice which only replaced a yawn at the last moment. Then she suddenly brightened into alert attention—but not to what Framton was saying. “Here they are at last!” she cried. “Just in time for tea, and don’t they look as if they were muddy up to the eyes!” Framton shivered slightly, and turned toward the niece with a look intended to convey sympathetic comprehension. The child was staring out through the open window with dazed horror in her eyes. In a chill shock of nameless fear Framton swung round in his seat and looked in the same direction. In the deepening twilight three figures were walking across the lawn toward the window; they all carried guns under their arms, and one of them was additionally burdened with a white coat hung over his shoulders. A tired brown spaniel kept close at their heels. Noiselessly they neared the house, and then a hoarse young voice chanted out of the dusk: “I said, Bertie, why do you bound?” Framton grabbed wildly at his stick and hat; the hall door, the gravel drive, and the front gate were dimly noted stages in his headlong retreat. A cyclist coming along the road had to run into the hedge to avoid imminent collision. “Here we are, my dear,” said the bearer of the white mackintosh, coming in through the window; “fairly muddy, but most of it’s dry. Who was that who bolted out as we came up?” “A most extraordinary man, a Mr. Nuttel,” said Mrs. Sappleton; “could only talk about his illnesses, and dashed off without a word of goodbye or apology when you arrived. One would think he had seen a ghost.” “I expect it was the spaniel,” said the niece calmly; “he told me he had a horror of dogs. He was once hunted into a cemetery somewhere on the banks of the Ganges by a pack of pariah dogs, and had to spend the night in a newly dug grave with the creatures snarling and grinning and foaming just above him. Enough to make anyone lose his nerve.” Romance at short notice was her specialty. The Open Window by Saki (H.H. Munro)
By /u/Eruwenn on /r/HFY
historic_clouds
1y ago
•
100%
And and and and and and and and and and
It was night-time and He was alone. And He saw afar-off the walls of a round city and went towards the city. And when He came near He heard within the city the tread of the feet of joy, and the laughter of the mouth of gladness and the loud noise of many lutes. And He knocked at the gate and certain of the gatekeepers opened to Him. And He beheld a house that was of marble and had fair pillars of marble before it. The pillars were hung with garlands, and within and without there were torches of cedar. And He entered the house. And when He had passed through the hall of chalcedony and the hall of jasper, and reached the long hall of feasting, He saw lying on a couch of sea-purple one whose hair was crowned with red roses and whose lips were red with wine. And He went behind him and touched him on the shoulder and said to him, "Why do you live like this?" And the young man turned round and recognised Him, and made answer and said, "But I was a leper once, and you healed me. How else should I live?" And He passed out of the house and went again into the street. And after a little while He saw one whose face and raiment were painted and whose feet were shod with pearls. And behind her came, slowly as a hunter, a young man who wore a cloak of two colours. Now the face of the woman was as the fair face of an idol, and the eyes of the young man were bright with lust. And He followed swiftly and touched the hand of the young man and said to him, "Why do you look at this woman and in such wise?" And the young man turned round and recognised Him and said, "But I was blind once, and you gave me sight. At what else should I look?" And He ran forward and touched the painted raiment of the woman and said to her, "Is there no other way in which to walk save the way of sin?" And the woman turned round and recognised Him, and laughed and said, "But you forgave me my sins, and the way is a pleasant way." And He passed out of the city. And when He had passed out of the city He saw seated by the roadside a young man who was weeping. And He went towards him and touched the long locks of his hair and said to him, "Why are you weeping?" And the young man looked up and recognised Him and made answer, "But I was dead once and you raised me from the dead. What else should I do but weep?"
From /u/iamcave76 on /r/HFY